Zoom H4N Pro

  • H4nPro_Front_3

Zoom H4N Pro

  • Adjustable Stereo X/Y Microphone
  • Can Record 4 Tracks Simultaneously
  • 2 x XLR / 1/4″ Combination Input Jacks
  • 3.5mm Line Input with 2.5V Plug-In Power
  • 28 & 48V Phantom Power
  • Record & Play WAV & MP3 Formats
  • AD/DA Conversion up to 24-Bit / 96 kHz
  • Built-In Metronome and Chromatic Tuner
  • 2-In/2-Out Interface via USB
  • Rubberized Body with Locking XLR Jacks

Product Description

A portable recording device and a 2-channel USB interface in one palm-sized unit, the H4n Pro Handy Recorder from Zoom features a stereo X/Y microphone capable of handling 140 dB SPL, as well as two low-noise preamps with locking combination XLR / 1/4″ inputs, multiple recording modes, on-board effects, a built-in metronome, a chromatic tuner, and more. As such, it’s suitable not only for film-audio capture, podcasting, and field interviews, but for the creation and editing of multitracked audio in conjunction with DAWs.

The H4n Pro can record up to four simultaneous channels of audio at resolutions and sample rates higher than CD-quality, capturing sound sources in WAV and MP3 formats. It utilizes an SDHC card for storage and a USB connection for transferring material to your computer. A pair of standard AA batteries powers the device, and can provide up to 12 hours of continuous recording in Stamina mode (using NiMH 2450 mAh batteries).

Built-In Stereo Mic in X/Y Configuration
The on-board X/Y stereo microphone is capable of handling sound pressure levels of 140 dB. It can also cover a wide berth whilst capturing any sound source in its center with precision. Both microphones are angle-adjustable: You can change the angle of capture from 90° (for a focused stereo image) or 120° (for a wider stereo image) simply by twisting each mic’s capsule.
Back-Lit LDC Display
This device utilizes a back-lit LDC display that makes reading its panel on stage more convenient.
On-Board M/S Decoder
Perhaps you’d prefer to capture stereo audio by means of an M/S technique, rather than through the H4n Pro’s X/Y-configured capsules. Should you wish to plug external microphones into the unit’s preamp for this very purpose, the H4n Pro provides an on-board MS decoder, allowing you to adjust the width of the stereo image within the device itself. This is useful both for sound design and for broadcasting.
Connections
Revamped with the same low-noise preamps as the H5 and H6, the H4n Pro provides combination inputs for XLR or 1/4″ connections, both balanced and unbalanced. As such, it can handle mic/line and instrument signals. 24 or 48V Phantom can be applied to both inputs. Additionally, a stereo 3.5mm line jack for external devices—lavalier microphones, for example—is included. This jack supplies 2.5V power, if need be.
Portable Pocket Interface
Utilizing its mini-USB port, you can use the H4n Pro as a 2-in/2-out interface for computers, recording straight to your DAW via its preamps and monitoring through the 3.5mm stereo headphone jack.
Multiple Recording Modes
Record in stereo mode, four-channel mode (utilizing the on-board stereo mics in addition to the built-in preamps), or in multitrack mode, which makes use of built-in effects, overdub functions, and the ability to work with prerecorded material. Additionally, you can use the pre-record function—ensuring you always capture audio starting from two seconds before the moment you press record—or the auto-record function, which allows the H4n Pro to start recording whenever it senses audio, and to stop as soon as the signal drops below a pre-set threshold.
Onboard Effects
The H4n Pro offers a variety of effects, including compression, limiting, reverb, delay, echo, a low-cut filter, and more. You also get an on-board metronome and tuner, along with dozens of amp models and effects crafted for guitars and basses. Furthermore, you can loop playback, adjusting the pitch and speed of the audio independently; this makes the H4n Pro a tool suitable for transcriptions, whether you need to get the words of a particularly fast talker down on paper, or the notes of a particularly fast guitar solo under your fingers.
Cubase LE and WaveLab LE Included
The H4n Pro includes licenses for Steinberg’s Cubase LE music production software, as well as WaveLab LE audio editing software. This is particularly useful for those who hope to create their own music utilizing the Pro’s USB audio interface function.
Rubberized and Secure Construction
The H4n Pro sports a rubberized body and revamped locking XLR/TRS connection points to keep your mic cables secure.
Additional Features
  • Record up to 140 dB SPL with X/Y microphones.
  • Output/headphone jack with dedicated volume control.
  • Built-in reference speaker for fast playback.
  • Internal mix-down: Four-track to stereo and stereo to dual mono.
  • Up to 99 marks per recording.
  • Normalize (maximum gain) and Divide (file-splitting) functions.
  • Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter.

Zoom H4N Pro Specifications

 

Number of Tracks

Simultaneous Recording Tracks:
2 (stereo mode), 4 (4-channel mode), 2 (MTR mode)
Simultaneous Playback Tracks: 2 (stereo mode), 4 (4-channel mode), 4 (MTR mode)
Recording Time 4 GB with SDHC: Approx. 380 minutes (WAV 44.1 kHz/16-bit stereo track)
Approx. 68 hours (MP3 44.1 kHz/128 kbps stereo track)* Recording times are approximations
Recording File Size Maximum: 2 GB
Project Files 1000/card
Locate Function Hours/Minutes/Seconds/Milliseconds
Other Functions Punch-in/out, Bounce, A-B repeat
Effects Modules: 2
Stereo/4 Ch Mode: Lo Cut, Compressor/Limiter
MTR Mode: Pre Amp module, EFX module
Type 53
Patches 60
Tuners Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD
Metronome Sound Sources: 5
Beat Variable: 1/4 to 8/4, 6/8, unaccentuated
Tempo 40.0 to 250.0 BPM
A/D and D/A Conversion 24-bit x 128 oversampling
Recording Media SD card (16 MB to 2 GB), SDHC card (4 to 32 GB)
Display 128 x 64 dots full-dot backlit LCD
Data Type WAV Format (Record/Play)
Quantization: 16/24-bit
Sampling Frequency: 44.1, 48, and 96 kHz
MP3 Format (Recording)
Bit Rate: 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320kbps, VBR
Sampling Frequency: 44.1 kHz
MP3 Format (Playback)
Bit Rate: 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320kbps, VBR
Sampling Frequency: 44.1/48 kHz
General 1 & 2: XLR (balanced input) / 1/4″ (6.3 mm) phone (unbalanced input) combo jack
Input Impedance Balanced: 3 kOhms or more, pin-2 hot
Unbalanced: 470 kOhms or more
Input Gain Balanced: -16 to 43 dB
Unbalanced: -30 to 32 dB
Built-In Microphone Type: Unidirectional condenser microphone
Sensitivity: -45 dB/1 Pa at 1 kHz
Input gain: -16 to 51 dB
Maximum SPL: 140 dB
External Microphones Connection: 3.5mm Mini stereo phone jack
Input impedance: 2 kOhms or more
Input gain: – 16 to 51 dB
Line / Phone Line output load impedance: 10 kOhms or more
Rated output level: -10 dBu
Phone: 20 + 20 mW (into 32-Ohms load)
Speaker 400 mW 8 Ohms
Phantom Power 48 & 24 V, Off
USB USB 2.0 High-Speed mass-storage class operation, audio interface operation (USB functions can be operated by USB bus power)
Power Requirements 5 VDC from AC adapter (ZOOM AD-14)
Batteries 2 x IEC R6 (size AA)
Continuous Recording Time Stereo mode: (With built-in mics at 44.1 kHz/16-bit without headphones connected): 6 hours with alkaline batteries, 8 hours with NiMH batteries.
Stamina mode: (With built-in mics at 44.1 kHz/16-bit without headphones connected): 10 hours with alkaline batteries, 12 hours with NiMH batteries.
Dimensions (W x D x H) 2.9 x 6.6 x 1.5″ / 73 x 167.2 x 37 mm
Weight 10 oz / 294 g
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